Leba Marquez presenting "A View from a Bus: Singapore Triptych"

Leba  Marquez’s photographic works focus on people around the world and their culture and environments.  In A View from A Bus: Singapore Triptych, she shares the images of the city in a mixture of colors, textures, and layers of emotion that provide the background.

 "View from a Bus: Singapore Triptych represents both the richness and confusion of being in a new place where things are both the same and different simultaneously. The kaleidoscope of colors, the chaos and crush of cities and transportation, the layered textures of history, the constant contrast of other lives and other places combine to make an atypical kind of portrait of a small City-State-Singapore. Far away and yet right in the room. Same-same and different. All captured in a moment of time."

See more of Leba's work here

"Picture.Window." by Sally Ann Field

The designer eye of Sally Ann Field is seen in her photographs. 

In Picture. Window. she studies the graphic lines and details that adorn windows she sees on her travels, and poses the question ­– is this glimpse from the outside a true indication of what might go on inside?

"Windows are more than architectural elements, 
they are metaphors for life, for curiosity, for hope. 
They reflect the beyond, the future and at the same time, 
they offer an opportunity to consider the past. 
In my travels, I photograph windows from a variety of cultures and where the architecture may vary, the universal desire for light and sunshine are evident in every structure."

See more of Sally's work here

Victor Ramos - "Reflections"

In his ongoing project “Reflections”, Victor Ramos attempts to capture the beauty and intrigue of the reflected and distorted light from the glass on large buildings. These images can be seen as a view into the duality of the human spirit.

"I’ve always been drawn to tall buildings.  In many ways, the vision and construction of these giants represent the best in humanity: creativity, cooperation, audacity, beauty, form, function and the drive to push against limit.

However, as with all things human, without moderation of these tendencies, the world may become distorted and unstable.

In this project, I attempt to capture the duality of these competing forces, how the drive for perfection may lead to distortion shown in the reflections of extreme architecture." 

See more of Victor's work on his Facebook page

Kris Shires on "California Manor"

In her series, California Manor, Kris Shires captures aptly named apartment buildings that forward the California brand of living. The photographs are a straightforward examination of a portrayed fantasy.

"I came of age in the 90’s and was fifteen when the hit show Melrose Place aired for the first time. The apartment building in the show sported a courtyard pool and was populated with next-door friends: my idea of ‘California Cool’.

Years later, having made Los Angeles my home, some of the magic has worn off, replaced by life’s realities. Those apartment buildings with their names alluding to paradise, however, still elicit those feelings I had at fifteen: dreams of California and endless possibilities."

Cindy Crane on "What does it feel like to be here?"

In her ongoing project, What Does It Feel Like to Be Here?, Cindy Crane

attempts to pull an open ended narrative into a dimensional visual. By

using a variety of images shot from different perspectives and focal points,

the documentation of space creates a sensory experience that provides the

viewer with a a richer and more varied interpretation of "here".

"Most people look at photographs and see images as ambiguous moments

of an open ended narrative. My ongoing project, What Does It Feel Like to

Be Here? attempts to pull the narrative into a dimensional visual.

It is made up of multiple sets of visual

impressions and explores the relationship between the viewer and the

photographer. The results are sensory, reflecting an experience of being in

a three dimensional space, encapsulated into a two dimensional

interpretation."

see more of Cindy's work here